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 I dig old books.

 Est. 1998




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Terri Guillemets AI Archives —
In Which the Author Experimented
with the Artificial Intellect




This is the archive of my experiments writing in collaboration with artificial intelligence tools. For all AI sandbox items, visit Machine Cooties.  —tg

SEE  ALSO 2026,  2025,  2024,  2023,  2022,  2021,  2020,  2019,  2018,  2017,  2016,  2015,  2014,  2013,  2012,  2011,  2010,  2009,  2008,  2007,  2006,  2005,  2004,  2003,  2002,  2001,  2000,  1999,  1998,  1997,  1996,  1995,  1994,  1993,  1992,  1991,  1990,  1980s,  MACHINE  COOTIES,  ARCHIVES  HOMEPAGE







green
flesh
pulp, pith
  and ribs —
hold the heat
and history
  of centuries —
spiny
sonoran
  stories —
monsoon
memories
dreams
of storms
  and sun —
blooming
summer
  skyscrapers —
ribbed
  with rain —
seasonally
sparking
  fruity flora —
sharing
sheltering
skeleton
secrets with
feathered
  fauna —
desert
sundials
ticking off
decades
in silent
  shadows —
armed with
resilience
patience
  strength —
teaching
stillness
to a
restless
  world —
slow
motion
fireworks
that take
a century
to burst 


      TITLE:  Sahuaro
      DATE:  2025 Aug 28
      NOTES:  a saguaro cactus shape poem, originally written 2020 May 25,

                  published five years later, upon experimenting with AI chatbots

                  to help polish and finish it

      ROBOT RATIO:  85% human15% Microsoft Copilot







SING WHILE THE ROOF CAVES IN:
AN OPERATIC CATALOGUE OF CONTEMPORARY CALAMITIES

      Written by W. S. Gilbot
      Music by Arthur Sulliwan
      Presented by The Royal Algorithmic Light Opera Company


      — 𝄞 —

I am the very model of a modern day society,
With fees and charges levied with remarkable variety;
Bread and milk are leased to you on monthly billed facilities,
And ‘freemium’ means ‘pay us more’ for all its capabilities.
The upgrades cost a fortune and they offer only skimminess,
The goods are built to crumble with a most artistic flimsiness,
And tipping’s now expected for the most absurd activities,
Refuse and you’ll be shamed for your deficient sensitivities.

On social feeds the dancers spin in endless loops of video,
While influencers peddle things they think that you need-io;
Skibidi bruh slay bussin sigma no-cap flexodices,
Inflation swells like opera queens in over-tightened bodices.
The climate’s in a muddle and the seasons swap identities,
Snow in summer, blooms in frost, and storms change their priorities;
Private wealth grows fatter while the poorest face austerities,
And charity’s a website where you post your own disparities.

The doctors are in short supply, the nurses getting few and far,
The waiting lists are longer than the queues for some new gadget are;
The AI medic greets you with a most engaging backlit grin,
And offers ‘Wellness Premium’ before it lets your symptoms in.
Click-by-click confessions sold for coupon or for trinkety,
While cookie prompts request consent with brashitude and winkety;
In politicking bubble-lands, each side insists it’s blameless-er,
While shouting past each other makes the shouting only shameless-er.

Speech-police correct words, lest offence should cause calamities,
While cancel-cannons fire at foes for long-forgotten vanities;
The mega-merchants merge until the marketplace is one-ified,
And health-plan clerks play pass-the-form until your hope is mummified.
The oceans teem with micro-specks from bottles once so plasticky,
While theorists of curious bent proclaim their plots dramatically,
Vloggers beg you smash the like before truth dares to clarify,
Apps enshittify it all in a race to monetise-ify.

The shelves are purged of volumes that the moralists find bannable,
While luminescent overflux leaves all the stars unscannable;
Banquets are so mountainous they’re borderline oppressity,
And work from home in sweatpants is the newest indispensity.
The workers plead for mental days to soothe strained cerebellity,
While labour’s ranks are vanishing with startling rapidellity;
The headlines born of algorithms spread with great exaggerance,
While red and blue are waging wars of fact-and-fiction splatterance.

The plague’s pronounced a parlour-myth by cynics in the scholar’s stead,
While ballots are recounted at the whim of what the podcast said;
The statesmen spin their fables with a most unblushing clarity,
And fact is but a costume in the masquerade of verity.
The sponsors stamp their logos on the air we breathe and water drink,
While privacy’s a sinking ship and we the crew that dare not think;
The steering wheel is yours to turn (it’s granted as a courtesy),
But brakes are on a pay-per-stop to guarantee security.

Ere breath is drawn upon the page, a pop-up makes a grasping plea,
Its ‘X’ obscured with artful guile and pixel-sized opacity;
The app just-opened begs you rate its unexamined quality,
Each recipe’s concealed beneath a tome of vast verbosity.
In five short ticks you’ll skip this ad (a mercy most magnanimous),
Though first they’ll make you watch a bit that’s vexingly volume-inous;
‘Physicians Hate This Simple Cure Discovered by a Royal Duke!’
You view and find the ‘cure’ is but a most untested quackish fluke.

The Christmas sales commence before the leaves have left the sycamore,
With plastic snow and jingles that you’ve heard a hundred times before;
The counter-clerk solicits you to yield your coin to chari-tay,
You scurry, flurry, worry loose your final screw of sani-tay.
Yet though the age is mad, my friends, it’s marvellous for rhyming verse,
For madness is the poet’s feast and modern life’s a full-course curse,
So pile the lies and lunacy as high as human folly goes —
We’ll blast it in a chorus line until the whole caboodle blows!


      — 𝄞 —


      TITLE:  Sing While the Roof Caves In

      DATE:  2025 Sep 2

      ATTRIBUTION CREDIT:  co-authored with Microsoft Copilot

      ROBOT RATIO:  58% human – 42% chatbot

      NOTES:  revised version

      INFO:  satirical parody, in the tune of (give or take a syllable or three)

                  “I Am the Very Model of a Modern Major-General,” patter song

                  by W. S. Gilbert and Arthur Sullivan, from their famous 1879

                  comic operetta, The Pirates of Penzance







A Haboob — stormed the Hoodoos —
With quite a Hullabaloo —
It rattled — every Column —
And dyed the Sky — Dust hue —

It tumbled — over Turrets —
And swept the Mesa — too —
A Ballyhoo of Sandstorm —
Desert monsoon Voodoo —


      TITLE:  Dusty Rocks
      DATE:  2025 Aug 25
      NOTES:  Chiricahua Mountains
      ATTRIBUTION CREDIT:  co-authored with Microsoft Copilot
      ROBOT RATIO:  93% human7% chatbot







No Builders – swinging Hammers –
No Postmen – on their Rounds –
No Sweepers – brushing at the Curb –
No Gardeners – on the Grounds –

Our Nation – takes a restful Pause –
Save for Workers – at my Sill –
With Mandibles – for Implements –
And a Commerce – of Anthill –


      TITLE:  Labor Day 2025
      DATE:  2025 Sep 1
      NOTES:  A true story. Toiling in four rooms of my house!
      ATTRIBUTION CREDIT:  co-authored with Microsoft Copilot
      ROBOT RATIO:  83% human17% chatbot







Today – a pause – called Labor Day –
No Postmen – on their Rounds –
No Sweepers – brushing at the Curb –
No Gardeners – on the Grounds –

The only ones – Working Hard today –
Are Soldiers – on my Windowsill –
With Mandibles – for Weapons –
Marching to base – Fort Anthill –


      TITLE:  Labor Day 2025:B-side
      DATE:  2025 Sep 1
      ATTRIBUTION CREDIT:  co-authored with Microsoft Copilot
      ROBOT RATIO:  89% human11% chatbot







The Ants — I could not Reason with —
They marched — in black Parade —
Through quiet Rooms and Corridors —
Their small Republic — made —

I let their Armies — roam the Lawn —
Unhindered — in the Sun —
But when they crossed the Threshold’s line —
The Siege — had just begun —

I set a Cup — of sugared Death —
And turned my Eyes away —
Yet heard — in every silent Floor —
Their Funeral — Array —

The Law of House — is pitiless —
Though Mercy — would be sweet —
I mourn the Guests — I could not keep —
Nor wholly — let them eat —


      TITLE:  Palinode
      DATE:  2025 Sep 5
      ATTRIBUTION CREDIT:  co-authored with Microsoft Copilot
      ROBOT RATIO:  25% human75% chatbot
      NOTES:  in the style of Emily Dickinson







SEE  ALSO 2026,  2025,  2024,  2023,  2022,  2021,  2020,  2019,  2018,  2017,  2016,  2015,  2014,  2013,  2012,  2011,  2010,  2009,  2008,  2007,  2006,  2005,  2004,  2003,  2002,  2001,  2000,  1999,  1998,  1997,  1996,  1995,  1994,  1993,  1992,  1991,  1990,  1980s,  MACHINE  COOTIES,  ARCHIVES  HOMEPAGE





Terri Guillemets —
Artificial Intellect Archives






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